诱饵2019
类型:剧情 / 地区:英国 / 年份:2019
主演:Morgan,Val,Baker,Georgia,Ellery,Martin,Ellis,Chloe,Endean,St
导演:马克·詹金
更新:2026-10-16
简介:
康(kāng )
康(kāng )沃尔(🍅)渔村的(de )风(🆓)景(jǐng )明信片田园诗误导了人们。虽然(rán )过(guò )去钓(diào )鱼是一种养家糊口的方(🥈)式,但(dàn )(🌰)如(rú )(🍖)今富有的(de )伦敦游客纷纷下山(shān )(⏬),取(🎏)代了当地人,当(🚤)地人的生(🕔)计因此(cǐ )受(🤷)到威胁。史(shǐ )蒂文(🙍)和马丁兄弟的关系也很紧张。马(🎫)丁是一(yī )(😚)个没有船的(de )渔夫(🚑),因为史蒂文开(kāi )始(shǐ )用它(⏺)来为(wéi )一整天(tiān )的(🔩)游客提供更赚钱的旅游。他(tā )们卖掉了这(zhè )座(🥔)家庭(🗞)别墅(shù )(📙),现在看来,最(zuì )后(hòu )一场战斗是和新主人在海边的停车(👃)位(wèi )(🧤)上展开。然(rán )而,情况很快就失控(kòng )(🕐)了,而不仅仅(⚾)是因为车(🗳)轮夹(🈁)钳。 Bait是一种(zhǒng )黑白,手工制(🏻)作(🐛),16毫米胶片制作的电影。许多关于(🔈)鱼、网(💿)、龙(lóng )虾、长靴、绳结和渔篮的特写(xiě )镜头(tóu )让人想起了(le )蒙太(tài )奇景点的(de )理论(🔙)。对(👄)不同社会阶层的描述——可以说是阶级关系——也让人想起了英(yīng )国(👩)电影中的(❓)社会现实主(zhǔ )义传统。然而,最(💁)重要(⏺)的(🧥)是(shì )(🔮),在影像(🔬)中(🍯)不同层次(cì )的电(diàn )影历史(shǐ )参(👼)考文(wén )献(⛅)之下,当(dāng )(🈸)前许多政(zhèng )(🍾)治关联(🚓)正(zhèng )(📯)在(🐇)等待被发(fā )现(🍉)。 The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. (🈂)Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations –(🌯) is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
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