主演：Morgan Val Baker Georgia Ellery Martin Ellis Chloe Endean St
导演：马克·詹金
类型：剧情
地区：英国
年份：2019
简介：康沃(wò )尔渔村的风景明(✒)信(xìn )片田(tián )园诗误(wù )导(🍩)了人(rén )们。虽然(🕟)过去钓鱼是一(🤴)种养家糊口的方式，但如今(jīn )富有(🗼)的伦敦游客纷纷下山，取(🎏)代了当地(dì )人(📼)，当地人的(de )生(shēng )计因此受到威胁。史蒂(dì )文和马(✳)丁兄(xiōng )(🥄)弟的关系也(yě )很(hěn )紧张。马丁是(shì )一个没有船的渔(yú )夫(fū )(🚑)，因(yīn )为史蒂文(🐖)开始用它(tā )来为(🌙)一整天的游客提供更(🛑)赚钱(😞)的(de )旅(lǚ )(🔢)游。他(tā )们卖掉(🌊)了这(🥎)座家(jiā )庭别墅(📙)，现在看(🏂)来，最后(hòu )一场战斗(🙀)是和新(xīn )主(🎾)人在海边的停车(👃)位上展开。然而(😍)，情况很快就(🎋)失控了，而不(bú )仅仅(⚾)是因为车(🗳)轮夹钳。 Bait是一种黑白(🦇)，手工制(zhì )作，16毫米胶片制作的电(diàn )(🚶)影。许多关于鱼(🏒)、网、龙虾、长(zhǎng )(📧)靴(🔍)、绳结(⏲)和渔(🔤)篮的(💏)特写镜头(👵)让人想(xiǎng )(🥅)起(qǐ )了蒙太奇景点的理论。对不同社会阶层的(de )描述—(⏳)—可(kě )(🚽)以说是阶级(jí )关系(👗)——也让人想起(qǐ )了(le )英国电影(💅)中的(de )社会(huì )现实(💑)主义传统(tǒng )。然而(🏸)，最重要(yào )的是，在影(🐈)像中不(🔍)同层次的电影历史参(cān )考(😲)文献(xiàn )之(🏡)下，当前许多(duō )政治关联正在(zài )等待(dài )(👆)被发(fā )现。 (🐣)The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata –(🎲) one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.